The Absence of Metamorphosis (2023/2024)

The Absence of Metamorphosis
“Presence in Absence” Piece one

Video works
Live foot- and voice performance
Installation with (homemade) bio materials of Mexico-City
Duration live foot- and voice performance: 3 hours
Duration video process work: 00:06:18 minutes
Duration foot short video: 00:03:19 minutes
2023

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This “Presence in Absence” Piece one questions whether or not the absence of metamorphosis can affect the idea of progression, and if it can help in finding other (forward) movements. Neoteny as a kind of survival strategy.

This performative research is based on the axolotl – originally a “Black” amphibian from Lake Xochimilco in Mexico-City.

The relation to metamorphosis appears to be that the axolotl rejected to take part in the concept of metamorphosis by retaining juvenile, larval traits through its ability to fully regenerate body parts. Thus, the axolotl persisted in its aquatic existence, without metamorphosing to come out on land in the form of a salamander.

This insight offers a different take on the idea of progression. As if time stands still; healing and embracing a state of ‘letting go’. Terrifying in its simplicity, and most welcome in a society that is heading for regression.

Could these “alien” amphibians provide some form of progress without metamorphosis?

For the first visual translation, the artist focuses on the perceptible act of (the axolotl’s) “Presence in Absence” by examining ‘The Absent Body’. Piece one is the starting point of a new series, that has found its continuation in “Presence in Absence” Piece two and “Presence in Absence” Piece three in 2024.

The foot limb in the live performance is the artists’ conceptual representation of the axolotl’s gills, which are juvenile traits and one of the remarkable features of salamander larvae, due to their neoteny evolution.

lisette ros artist performance conceptual the absence of metamorphosis cdmx foot performance axolotl casa lu videowork

The Absence of Metamorphosis (2023) axolotl research video by Lisette Ros, CDMX, Mexico

lisette ros performance artist the absence of metamorphosis axolotl research at casa lu in cdmx mexico

lisette ros performance artist foot performance of the absence of metamorphosis axolotl research at casa lu in cdmx mexico

Live foot performance by conceptual artist lisette ros for new work and piece 'The Absence of Metamorphosis' in Mexico-City, on the basis of the ajolote, at casa lu cdmx

lisette ros artist performance conceptual the absence of metamorphosis cdmx foot performance axolotl casa lu

‘Monstruo de Agua’ (2023) a short docu following the process of Lisette Ros, released on Nowness

• Axolotl (A-sho-lotl): in the particular case of the axolotl, its symbolic significance revolves around an axis of alterity, as evidenced by the Nahuatl (Aztec) spelling of its name – in which the ‘x’ in axolotl, like in Malcolm X, stands as a signifier of the unknown.
• Main literature: Roger Bartra, ‘La Jaula de la Melancolía’, 1987; Walter Gastang, ‘The Axolotl and the Ammocoete’ from “Larval Forms, and other Zoological verses”, 1966; Julio Cortázar, ‘Axólotl’, 2015; Aztec Mythology of Xolotl, ‘Axolotiada’ with introduction by Roger Bartra and contributions by a.o. Octavio Paz, Juan José Arreola and Alberto Ruy Sanchez.